From the Dirt to the Skies is a group exhibition featuring new works in painting, drawing, and printmaking from four of Main Street Arts’ gallery artists — Pat Bacon, Chad Grohman, Meredith Mallwitz-Meyer, and Lanna Pejovic. The artwork is inspired by fog-laden lakes, wooded paths, gardens, and objects plucked from nature.
Executive director and curator Bradley Butler sat down with each of the artists and asked them some questions about their work and what inspires them to make it. Up next in this series, Buffalo artist Chad Grohman.
From The Dirt to The Skies:
Q: What inspired you to make this body of work and how is it different from other work you’ve shown here in the past?
A: With work I’ve shown in the past at Main Street Arts, I am usually focusing on landscapes and trying to show “the big picture”, the larger view. There are a couple of paintings like that included in this show but what’s different about the other pieces is that I am focusing more on specific branches and the fruits and vegetable that comes from the branches. A little more focus to provide more intimacy with the natural world.
Stylistically it is done different as well. To differentiate from previous paintings I tried painting smaller objects with bigger brushes, bringing the viewer closer into the individual
object of nature rather than providing a larger scope of nature.
Q: What’s on your mind when you’re making your work?
A: The act of painting a specific object with more focus requires more focused thought. So when I’m painting a landscape that’s seen from across a lake for example, I’m trying to get a sense of the day in the entire landscape, even if I’m not physically capturing all of what I’m seeing. With this group of paintings, I’m really focusing on what the object is and where it came from. For example, in the painting “Organics” we ate those things after I painted them. So there’s a definite connection to our everyday lives. We have an organic
share that we get, so these are things that I’m coming into physical contact with and so I’m remembering those moments or appreciating the work that went into the harvesting and everything else that goes along with providing organic food to a community. This series is really about community.
Q: Can you talk about a specific piece that is included in the show?
A: The painting called “Pieces of Hiking” is one that I’m the closest to. My wife Kristen and I were going on a hike and I was looking for things that were interesting as we were walking. Whether its specific plants pointed out by Kristen who is an herbalist or maybe something laying next to that plant. I remember that day so clearly
and I remember coming home after the hike and starting that painting right away. I feel like out of all of the paintings in the show, that’s the one I think of first from the group.
“Organics” brings back a memory as well but not as vivid. The tomatoes and peppers were good and made a nice addition to our dinner but “Pieces of Hiking” reminds me more of the day I had with my wife, talking about plants. So I’m closer to that one because the memory is about personal interaction, which is important. With this series of paintings I’m trying to bring people into the work rather than having them looking from across an expanse to see something.
Q: Your color palette shifted a bit in this series, can you talk about that?
A: I hadn’t worked in this way before. I started each piece with a very bright and saturated underpainting of magenta. First, I used this as a way to unify everything. And also, I liked the way it affected the color balance of warm and cool. Then it also started to serve as a way of covering and revealing things. I stayed with the pink color even though I had planned to do some paintings with a blue underpainting. I felt like the pink color really brought joy to the work. I feel that these objects and these things I’ve painted should be celebrated and I feel like the bright pink added to that positive
approach to looking at nature.
Q: How does your environment impact your work?
A: I live in a rural environment and I’m involved in the community through our various activities. We organize in our community to bring people together and a lot of it has to do with how we’re interacting with nature. Whether that’s through plants or beneficial action to aid the community, like a clean up or something like that. All of these things require us to be in nature and to be around these objects. We aren’t just getting together, we are getting together in nature. Every time we do, it involves observing our environment.
Q: When you’re painting these natural objects and images, you aren’t painting them on site, you’re taking photos and bringing them back and working in your studio, right?
A: That’s right. I’m always using photographs. I appreciate plein air painters and I do that sometimes too but that’s not my standard practice. I’m an illustrator so that’s just the way I’m comfortable working, in the studio using references.
What’s funny is that this is the first time I’ve painted vertically using an easel! Normally, I work flat on a table. That’s a huge difference and I was very comfortable and welcomed the change.
From The Dirt to The Skies runs through Friday, October 4, 2019.