Heightened Awareness

Heightened Awareness

roberto bertoia, gregory page, main street arts
Heightened Awareness (Installation shot)

The themes that are explored in this exhibition are a nod to the fact that we (human beings) don’t fully experience life. Seldom do we allow ourselves to fully experience all of the subtle nuances that exist in our world. Many of us are glued to glowing screens, experiencing things removed from real time and processed through a social media feed. This mediated existence leaves us missing out on things in the moment and maybe some of us don’t care about that. Perhaps we relish in the fact that technology and human life are becoming one and the very idea of “being in the moment” is changing, however, it is a certainty that there are other things happening that are worthy of our attention.

Left: LPV No. 3 (Detail) by Roberto Bertoia; Right: Motifs From ISU Greenhouse (Detail) by Gregory Page
Left: LPV No. 3 (Detail) by Roberto Bertoia; Right: Motifs From ISU Greenhouse (Detail) by Gregory Page

Heightened Awareness presents the work of Roberto Bertoia and Gregory Page, two artists who are interested in these ideas and their work comes from a place of slowing down and noticing the quiet moments in life. Both artists have a desire to be aware of the minute details of their surroundings. This exhibition is a contemplation on being present in the moment and truly experiencing things.

Gregory Page, Lithography
The translucent film for the print “Euonymus Alatus Burning Bush , State 1” by Gregory Page

Gregory Page has 11 large-scale lithographs featured in the exhibition and each of them utilize his own unique process of drying plants, rehydrating them in a lithographic drawing solution, and arranging them on a translucent film which is then used to make the final printing plate. The plants he uses in his work come from as close as his own backyard and as far away as Edinburgh, Scotland. For Greg, it is about experiencing nature and plant life first-hand.

“I love getting up in the morning, getting in the garden and getting my hands in the dirt. Moving some compost around, planting something and watching it grow. The garden has been a real inspiration for me for a long time.” —Gregory Page

Gregory page, Lithograph, Main Street Arts
“Motifs from ISU Greenhouse, Selection II” (detail) by Gregory Page

It is also about cataloging and making a record of things that exist in our world. With nature in a state of flux, it becomes important to create a record of things as they existed in a certain moment in time.

The sculpture of Roberto Bertoia is made with second-hand, salvaged pieces of wood. He turns them into something new, something other than what was originally intended. He uses his material in an intuitive way, building without a solidified plan, similar to a painter responding to each brushstroke. Through this organic and fluid process his finished pieces are an homage to architecture and design and create interesting relationships between the interior and exterior.

Roberto Bertoia, Sculpture
“Untitled 1” (detail) by Roberto Bertoia

He enjoys the paradox of seeing and not seeing and contemplating what is hidden and what is revealed. Roberto’s sculpture can be a metaphor for the ways we hide and reveal specific things about ourselves. The subtle moments that slowly shape our perspective on how we interact with people and the world we create for ourselves is something that he finds inspiring.

Roberto Bertoia, Sculpture
“Where Am I To Live” by Roberto Bertoia

“I try to be open and receptive to what’s going on around me. What may seem everyday or mundane may seem more important when I end up in the studio.” —Roberto Bertoia

The notion of slowing down and paying attention is not a new idea but it is one that we are constantly reminded of. Specifically, I think this is the way that we should experience art. Instead of breezing through an exhibition or merely scrolling through an artist’s Instagram feed, let’s spend some time thinking in front of the actual artwork. We may be surprised by where this small, yet meaningful  experience will take us.


The exhibition Heightened Awareness will run through Friday,  August 17, 2018.

Recent Posts

Plein Air 2023 (part 2)

“To create a ‘plein air’ painting composition, I need to connect with the subject from experiences in my lifetime that awaken sensory perceptions. Oil painting on a smooth ampersand board lets my brush flow with the feel of the day, the light, the landscape and purpose.”

Read More »

Plein Air 2023 (Part 1)

“My approach to Plein Air is to find a simple location and to anticipate how the light will move throughout the morning. Next I do a quick sketch showing lights and darks (known as a Notan), block in color on the canvas, and try to use lots of paint to give texture to the end piece.”

Read More »

A Shiver in the Leaves

Robert Ernst Marx and Luther Hughes BOA Editions, a not-for-profit publisher of poetry and other literary works, recently released a debut collection of poetry from Seattle-based poet, Luther Hughes which

Read More »

Robin Whiteman

About a year ago a close friend referred to my “two daughters”, art and my actual kid, Anya. He nailed it. Two of my biggest loves who take up the majority of

Read More »

Arden McBride

I grew up on folk tales, campfire stories, and fantasy novels. For the longest time I was fascinated with surrealism and their ability to impose the bizarre on the mundane.

Read More »

Joshua Hudak

I started my artistic journey focusing primarily on glass. Glass is an amazing medium – it interacts with light and color in so many unexpected ways, and forming it into

Read More »

Plein Air 2023 (part 2)

“To create a ‘plein air’ painting composition, I need to connect with the subject from experiences in my lifetime that awaken sensory perceptions. Oil painting on a smooth ampersand board lets my brush flow with the feel of the day, the light, the landscape and purpose.”

Read More »

Plein Air 2023 (Part 1)

“My approach to Plein Air is to find a simple location and to anticipate how the light will move throughout the morning. Next I do a quick sketch showing lights and darks (known as a Notan), block in color on the canvas, and try to use lots of paint to give texture to the end piece.”

Read More »

A Shiver in the Leaves

Robert Ernst Marx and Luther Hughes BOA Editions, a not-for-profit publisher of poetry and other literary works, recently released a debut collection of poetry from Seattle-based poet, Luther Hughes which

Read More »

Robin Whiteman

About a year ago a close friend referred to my “two daughters”, art and my actual kid, Anya. He nailed it. Two of my biggest loves who take up the majority of

Read More »

Arden McBride

I grew up on folk tales, campfire stories, and fantasy novels. For the longest time I was fascinated with surrealism and their ability to impose the bizarre on the mundane.

Read More »

Joshua Hudak

I started my artistic journey focusing primarily on glass. Glass is an amazing medium – it interacts with light and color in so many unexpected ways, and forming it into

Read More »

Leave a Reply

Your email address will not be published. Required fields are marked *

Closed 7/28 through 8/3:

We will be closed to the public Friday, July 28 through Thursday, August 4 as we install our next exhibition, Inspired By Nature. Please join us for the opening reception on Friday, August 4 from 5 to 8pm!