
Sometimes, an exhibition will come to me quickly. An artist will submit their work and it instantly sparks an idea of what other artist/artists could be paired with this person to make an engaging show. The full concept and title will also come easily and all will be well… More often, I will come up with an abstract notion of an idea and then try to find work that will fit. For Sacred Curiosities, it was the latter.

About a year and a half ago, I had the spark of an idea for an exhibition and wrote myself a note that said “Object/Relic/Ritual”. This vague description was a guide for me but didn’t really get close to defining what the show would be, visually. I knew it would be based on objects (found objects) that seemed like relics, either from the artist’s everyday life or from another time entirely. The “ritual” aspect shows up in work that seems to indicate daily routine and in some cases, references to religious or spiritual practices.


A large part of Sacred Curiosities is focused on found object sculpture. The beauty of this method of making art is that many disparate parts—all with their own meaning or connotation—come together to form something new. The grouping of materials may be harmonious or it may be a collection of diverse and contradictory parts. The artists create new meaning from the various materials.

The paintings, drawings, and other more traditionally constructed sculpture add to this notion by depicting personal, historical, or cultural signifiers as they relate to the artist.

Thinking about the meaning of objects led me to think about the passage of time and how the meaning we assign to certain objects can change. A symbol or signifier excavated centuries after it was made is interpreted out of its original context and the meaning is assigned based on what else may be known of the time from which it came.

What will remain from our time here on earth? What will be known of our civilization when our cultural relics are unearthed? These questions helped me frame the exhibition and give it a context, even if only in my own mind, but the real meaning of the show is derived from the individual meaning created by each artist.

This exhibition has humor, evidence of self-examination, nostalgia and most of all a pluralistic collection of disparate parts coming together. Stop in before Friday, November 17 at 6 p.m. to experience this exhibition and investigate all of the bits and pieces that make up this show.