Emile Bouvet-Boisclair

Emile Bouvet-Boisclair

I am a French Canadian born ceramic artist, residing in Chicago, IL for the last decade. 

artist Emilie Bouvet-Boisclair
Artist and a board of marbled cups. Photo by: Alexis Bouvet-Boisclair

Clay entered my life when I was 13. I was gifted lessons for Christmas with studio potter Lloyd Fitzsimmons. I long considered myself a painter, eventually graduating from State University at Geneseo with a BA in Fine Arts and a concentration in figure studies and water color. Despite this, as a teen, I purchased a potters wheel with my babysitting money before graduating from high school, and in my 20s, continued to enroll at local ceramic studios from time to time. Throwing pots was a welcome release from the seriousness with which I approached my canvases.

This set depicts flora and fauna native to North America- the Cuckoo bird and Paw Paw tree- one of the few fruiting trees native to this continent.
This set depicts flora and fauna native to North America- the Cuckoo bird and Paw Paw tree- one of the few fruiting trees native to this continent.

When I began merging my painting experience with clay, pottery making took on a more serious role in my life. I approached glazing pots with the eye of an oil painter — layering techniques of line inlay, and sculpture with glazes, colored slips and stains to achieve depth and nuanced color.

Jewelry box with typical adornment of flowers and also brains. Jewelry boxes are often gifted to young girls, one of many ways we initiate their values and status in society - this serves as a reminder of the importance of intellect.
Jewelry box with typical adornment of flowers and also brains. Jewelry boxes are often gifted to young girls, one of many ways we initiate their values and status in society – this serves as a reminder of the importance of intellect.

My work addresses an appreciation of nature and a hope to conserve the environment. 

birch wood inspired vases by Emilie Bouvet-Boisclair
The stillness of a birch wood forest is captured in my speckled line of vases.

The animals in my work often have very emotive facial characteristics — with the goal of creating a connection between the viewer and subject.

pufferfish planters by Emilie Bouvet-Boisclair
Pufferfish planters

Humans need to be better stewards of our shared home. Many of us live lives away from the small wonders of the natural world, wrapped in a bustling concrete jungles distracted by bright screens, crowded buses, and constant distraction . It is easy to forget our dependance and interconnectedness with our environments, and also all the creatures that share the earth with us.

Large bowl featuring puffins in a melting arctic with a rainbow throughout. The rainbow refers to a Christian story of Noah's Arc, and God's promise not to flood the earth ever again. We find ourselves in a time when sea levels are rising as a result of human industry; and our leaders are in position to play god to our planet, weather for better or for the self interest of the few.
Large bowl featuring puffins in a melting arctic with a rainbow throughout. The rainbow refers to a Christian story of Noah’s Arc, and God’s promise not to flood the earth ever again. We find ourselves in a time when sea levels are rising as a result of human industry; and our leaders are in position to play god to our planet, weather for better or for the self interest of the few.
Puffin and Rainbow Bowl (D) copy
Detail from Puffin and Rainbow Bowl.
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Photo by: Alexis Bouvet-Boisclair

My studio practice balances my love of sitting down and throwing production with creating more detailed, singular work. Throwing a board full of rounded vases is a meditation and a mental groove I can ride all day long. I find it gives me the mental space to develop and realize larger and more developed pieces.

Pottery requires a humbleness — there are so many facets of ceramics that have taken years to master — and there are lifetimes more of learning. Always having a challenge that seems attainable is one thing I enjoy from pottery making. It is a field which demands hours and full attention; the hurdles overcome and subsequent results in my artistic journey are hugely gratifying. 

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Pots in production. Every one of these that was a success has a pot that failed behind it.

In the last month, I learned to throw large pots — that was hugely difficult and tearful (this was for a commission with a tight deadline which I self assuredly accepted) and also self validating.  Each pottery technique that is mastered will open the door to new ideas and projects. 

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I love the interplay between the grouping of large pieces. These found a permanent home at the Hoxton Hotel in Chicago- they echo the stillness found on the lake front. Lake Michigan is a place to find a bit of peace from the city noise.

On the horizon for next year, I plan to experiment more with throwing large series; I enjoyed the play and interaction with scale, form and color in the pieces in my last collection. I also plan on bringing light into my work — I am interested in the possible narratives and hidden worlds that could be created using light — so hardwiring bulbs will be a skill I hope to attain soon as well. 

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Right now I am a potter- but I will always consider myself an artist first and hope to dip into my box of oils sometime in the future. 

You can see more of my work at TwinettePoterie.com or @TwinettePoterie on Instagram.


Emilie Bouvet-Boisclair is one of 44 artists included in the 4th annual The Cup, The Mug exhibition on the second floor at Main Street Arts, a national juried exhibition of drinking vessels. The Cup, The Mug runs through December 14, 2019.

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