In Lin's studio with her dog, Cherry
In Lin’s studio with her dog, Cherry

Originally I am from Ann Arbor Michigan, but have spent most of my adult life in New York State, near Ithaca. I had an unconventional and circuitous path toward the arts. After the birth of my second child I decided to return to college and became completely smitten with painting, earning a BFA from Ithaca College and an MFA in painting from Bard College/Milton Avery Graduate School for the Arts. I am drawn to painting because it is a non-verbal language with limitless expressive possibilities.

Isle of Wight, oil on cradled panel, 24" x 18", 2017
Isle of Wight, oil on cradled panel, 24″ x 18″, 2017

Looking at art, especially painting, from all historical eras and styles, gives me new insights and pleasure. Over time, this ‘looking’ is condensing into my own specific vocabulary. My paintings are dream-like and non-linear and explore themes and symbols I believe are universal to most humans; desire, regret, isolation, and joy. Water often plays an important role.

Lover's Knot, oil on cradled panel, 48" x 40", 2017
Lover’s Knot, oil on cradled panel, 48″ x 40″, 2017
The Jetty, oil on cradled panel, 28" x 34", 2017
The Jetty, oil on cradled panel, 28″ x 34″, 2017

I use all kinds of painting media, although lately, oil paint is the medium of choice, which I find challenging and forgiving.

Paint box
Paint box
Lin Price's studio in Danby, NY
Lin Price’s studio in Danby, NY

The landscapes in my work are invented and abstracted, sometimes inhabited by single miniature figures, completely self-contained, creating a sense of aloneness and quiet as they focus on the task at hand. I enjoy surrounding the figures with unusual, unexpected, and mysterious events. The perspective is voyeuristic, one has the sense of peering in at someone’s private obsessions.

Sunrise, oil on canvas, 48" x 60", 2016
Sunrise, oil on canvas, 48″ x 60″, 2016
Fountain Maker, oil on canvas, 44" x 54", 2017
Fountain Maker, oil on canvas, 44″ x 54″, 2017
Margaret, oil on cradled panel, , 21" x 28 1/2", 2017
Margaret, oil on cradled panel, , 21″ x 28 1/2″, 2017
Corona, oil on canvas, 42" x 50", 2017
Corona, oil on canvas, 42″ x 50″, 2017

The paintings evolve with experience and accident, creating areas of texture and intimacy of touch, building a psychology into each environment. This is a challenging and fluid experience. One has to pay close attention when a painting starts to speak.

More of my work can be found at linprice.com


Six of Lin Price’s paintings can be seen in Dream State, on display through February 16, 2018. The exhibition also features photographs by Bill Finger (Seattle, WA), sculpture by Carrianne Hendrickson (Rochester, NY), and paintings by Matt Duquette (Buffalo, NY). 

Recent Posts

Ryann Cooley

While I describe myself as a mixed media artist, I am fortunate to have been granted access to the world as a photographer. Having worked

Read More »

Sunny Moxin Chen

As a Moscow-born-Chinese who migrated to the U.S. since high school, I consciously and unconsciously use my art as a medium to link my multi-cultural

Read More »

Carol Nickol

From the moment I entered metal class roughly 25 years ago, I knew metal was going to be the major focus in my life from

Read More »

Jesse Aridoux

What interests me most are the stories. We blaze through life like shooting stars, and we leave fragments of stories scattered behind us like autumn

Read More »

Louis Quaintance

Demonstration Plastik abb.163, the piece included in the Small Works exhibition, is a signature work, a particularly interesting bronze sculpture in the collection… describing a

Read More »

Lee Hoag

Born in the Southwest, my family moved to the D.C. area when I was four, where I first remember seeing artwork in museums. We then

Read More »

Ryann Cooley

While I describe myself as a mixed media artist, I am fortunate to have been granted access to the world as a photographer. Having worked

Read More »

Sunny Moxin Chen

As a Moscow-born-Chinese who migrated to the U.S. since high school, I consciously and unconsciously use my art as a medium to link my multi-cultural

Read More »

Carol Nickol

From the moment I entered metal class roughly 25 years ago, I knew metal was going to be the major focus in my life from

Read More »

Jesse Aridoux

What interests me most are the stories. We blaze through life like shooting stars, and we leave fragments of stories scattered behind us like autumn

Read More »

Louis Quaintance

Demonstration Plastik abb.163, the piece included in the Small Works exhibition, is a signature work, a particularly interesting bronze sculpture in the collection… describing a

Read More »

Lee Hoag

Born in the Southwest, my family moved to the D.C. area when I was four, where I first remember seeing artwork in museums. We then

Read More »

2 Responses

  1. lovely imaginative work, Lin!
    wise statement” one has to pay close attention when a painting starts to speak.”
    congratulations. wish i could see them up close.

Leave a Reply

Your email address will not be published.