I stumbled across a quote by Henry Adams a few weeks back that struck me as indicative to my approach to art making. Adams said, “Chaos was the law of nature; order was the dream of man.” This precarious point between the two extremes is where I like my work to dwell.
While I will occasionally work in ballpoint pen and oils, my true love is colored pencils. I love the range they provide from soft layered colors to sharp bold edges. I love the simple buttery depth they can create and the complex layers of color mixing they enable. I love that despite my years I have put into the medium, I still learn something new about them each time I draw, like an old friend divulging new secrets.
My greatest expense and favorite obsession is trying out different brands, and experimenting with using them together. My favorite combination is using the Caran d’Ache Luminance with the Prismacolor Premier. The Luminance can pack a punch with their ability to layer, maintain color integrity, and won’t wax bloom like the Prismacolors. Yet, the Prismas have such a wide range of colors and play very nicely with other brands.
I often start a piece without any clear direction. I’ll be intrigued with an object, the way someone is holding their hands, or a conversation, and I will start with a rough sketch, working my way slowly to the final product. I don’t necessarily have a clear concept of the symbolism in my work until I have put more hours into it, like it’s a new friend I’m getting to know.
Nearly all of my work deals with the contradictions found within the human condition. I strive to find meanings and marriage between the two opposing forces that push our physical and emotional boundaries from one extreme to the other. In the past, I have primarily worked with the human form in some way, creating a visual commentary on the precarious emotional space in which we sometimes dwell.
For the past few months I have been making a slight change of direction from mental space to physical space. I am interested in how we interact with the space in our homes; the ways in which we fill the space, the complicated relationship we may have with the objects we keep, and the ways in which our emotions and memories for a space can change due to the external forces that dwell within our walls.
My work often includes patterns as both a stylistic and symbolic choice. Patterns can be both predictable and improbable, stable and changing. We search for patterns to make sense of the world around us, they allow us to make familiar predictions, and interpret the connectivity between points. Patterns can provide reassurance in unknown situations, yet they can also create confusion at their break down. This point between familiarity and confusion is where I like my work to inhabit.
You can follow my work on my website, mandiantonucci.com