If you want a label, today I would say that I am a “photographer/printmaker” knowing full well that I have a painter’s sensibility. I like to color outside of the lines and to experiment, which is not really a practice that is compatible with traditional photography or printmaking. There is a prescribed process and set of steps that you should follow.

Experiment with printmaking and fire
Experiment with printmaking and fire

Printmaking and photography, like all mediums require understanding and mastery. The intrigue for me is to gain mastery while not being a slave to the expected process. When working, I want to collaborate with the subject, using the chosen media to make the unspeakable into something concrete.

Hedgerow Fog, photogravure, 2018
Hedgerow Fog, photogravure, 2018
Burn Pile, photogravure, 2018
Burn Pile, photogravure, 2018

Currently my art incorporates printmaking, photogravure, and collage. Photographic images from my camera, scanner or phone capture a specific moment. What I do with those images after capturing them allows me to elevate the quiet and insignificant in a loud world. Each of my pieces carry the trace the marks of the process of making them.

"Old Orchard" and "Burn Pile", digital prints made from photogravure images with wax and oil paint.
“Old Orchard” and “Burn Pile”, digital prints made from photogravure images with wax and oil paint.

Art is not obvious. Art critic, Jerry Saltz once wrote “Art is for anyone. It just isn’t for everyone”. My work is not for everyone. I start working on something for the possibility of interacting with an image that has the potential to speak beyond the obvious.

Self portrait, in the fog
Self portrait, in the fog

Pat Bacon is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018.

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