I have been an artist and art educator for the past 8 years. The past year and half I was the Victor Hammer Fellow at Wells College Book Arts Center in Aurora, NY. The fellowship allowed me to teach fifty percent of the time and create my own body of work fifty percent of the time.
My work focuses on creating a sense of place within my current geographical location. I attempt to connect with the local community while exploring the public and private experience of social engagement to create work that inspires self-reflection, thoughts, and human connection. Through the use of language and social engagement in the public sphere, I explore everyday life, which opens a dialogue, allowing me to investigate different avenues to create narratives. I seek to give our private thoughts a voice, and our public thoughts an amplifier. By giving them a voice, it empowers their creators and allows us to stop, listen, enjoy and realize that everyone, all around us, drinks from the same cup of humanness. I considers myself a collector, observer, and artist.
Different Spaces I Create In
When I lived in Chicago I collected authentic thoughts that occur while in commute on public transportation. I asked every stranger that sat next to me on the train to participate. I transformed the project in a letterpress Printed Accordion Book with a downloadable soundscape and a video installation.
Cayuga Nation: Now & Then is a three hole pamphlet stitch book structure and was offset printed. I printed this book during a residency I had at Columbia College Chicago in the Center for Book and Paper Arts. Three weeks after I moved to the shores of Cayuga Lake, the local gas station was barricaded with trucks, police and members of the local Cayuga Tribe. This event inspired me to explore the long history of the Cayuga Nation and the events that lead to the recent conflict within the tribe itself. Depending on which cover you open first you receive a different story. One side of the book tells the “Now” story (current issues) and the other side tells the “Then” story (history) of the tribe. I created this two-sided artist book to showcase my own observations, experiences, and research on the Cayuga Nation.
My most recent project is called Still. It memorializes roadkill I encountered in the Finger Lakes of Upstate New York. Moving from Chicago, IL to Aurora, NY I was overwhelmed with my daily encounter of roadkill. The book transforms into a creative non-fiction narrative allowing me to connect with my environment. The deceased animals were found on my daily commute and treated with respect. The cover is handmade paper to resemble asphalt. The book proceeds with an image of crows around an animal to represent the flight of their soul. Following is a pullout map indicating where animals were found. Animals are letterpress printed in two colors with linoleum blocks and polymer plates. A veterinarian allowed me to take x-rays, which are printed on transparent paper with vertical text stating statistics about roadkill. Each animal has an obituary that states factual and humorous information with a pullout photograph showing the crime scene and the longitude and latitude. At the end of the project a private ceremony was held where the animals were buried on an island to pay respect and give thanks.
My Process for “Still”
This project has turned into something much larger than only an artist book. I have created handmade paper using the animals, I created an animation about the animals, I created screen-prints of the animals and then did embroidery work on top of the prints. All of this work will be in a solo exhibition called Still at The String Room Gallery at Wells College in Aurora, NY. If you you are in the area you should come for the opening in Mid April.
Stop by Main Street Arts to see Jenna’s artwork in our current exhibition, Ink and Paper. The exhibition is up through Friday, March 25.