Joshua Hudak

I started my artistic journey focusing primarily on glass. Glass is an amazing medium – it interacts with light and color in so many unexpected ways, and forming it into shape is a process that is both challenging and rewarding. The learning curve for glassblowers is quite steep, but the dream of making a living with glass makes it a worthwhile pursuit.

If you had asked me what I wanted to make most out of glass when I started, I would have answered ‘marbles’. Even though I learned how to make glass vessels such as cups, bottles, and vases, I always gravitated back to marbles.

Another fascination of mine has been with orreries. An orrery (sometimes called a planetarium) is a clockwork model of our solar system, typically made in the 18th and 19th centuries to demonstrate the relative orbits of the planets around the sun.

When I searched for actual orreries, I could not find one that really encapsulated what I imagined. These devices are part science and part art. But I wanted to highlight the artistic side with my own aesthetic, so the task fell to me to make one myself. This was daunting task, and my first prototypes were rough, literally held together with tape and glue.

The clockworks are obviously a very important part of any orrery. The gears and other metal components serve a practical function, but are also a strong artistic element in my opinion. As a result, several metalworking machines such as mills and lathes are now part of my studio.

Cutting a brass gear

My workspace spans several areas: a machining, woodworking, and flameworking shops are all required for the various components, plus a work bench for assembly and testing.

My studio workbench, showing various models in progress

Although a significant portion of each planetarium I make consists of metal and wood, I feel it is the glass that brings them alive. It pleases me immensely to be able to apply my glassblowing background to create these suns, planets, and moons. I like to focus on exoplanets – planets outside our solar system. This allows me to make planets any size, color, or configuration, enabling the viewer to draw their own conclusions about the worlds they see.

I call my creations Exoplanetariums.

My work can be found on my website, exoplanetariums.com, and @hudakglass on Instagram.

Small Works 2022 includes 200 works of art by 200 artists from 32 states and runs through Friday, December 23, 2022.

Recent Posts

Plein Air 2023 (Part 1)

“My approach to Plein Air is to find a simple location and to anticipate how the light will move throughout the morning. Next I do a quick sketch showing lights and darks (known as a Notan), block in color on the canvas, and try to use lots of paint to give texture to the end piece.”

Read More »

A Shiver in the Leaves

Robert Ernst Marx and Luther Hughes BOA Editions, a not-for-profit publisher of poetry and other literary works, recently released a debut collection of poetry from Seattle-based poet, Luther Hughes which

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Robin Whiteman

About a year ago a close friend referred to my “two daughters”, art and my actual kid, Anya. He nailed it. Two of my biggest loves who take up the majority of

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Arden McBride

I grew up on folk tales, campfire stories, and fantasy novels. For the longest time I was fascinated with surrealism and their ability to impose the bizarre on the mundane.

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Joshua Hudak

I started my artistic journey focusing primarily on glass. Glass is an amazing medium – it interacts with light and color in so many unexpected ways, and forming it into

Read More »

Codi Lee Fant

I consider myself a multidisciplinary artist, with a particular affinity for graphite on paper. I was born and raised in Dallas, Texas, and studied at the Rhode Island School of

Read More »

Plein Air 2023 (Part 1)

“My approach to Plein Air is to find a simple location and to anticipate how the light will move throughout the morning. Next I do a quick sketch showing lights and darks (known as a Notan), block in color on the canvas, and try to use lots of paint to give texture to the end piece.”

Read More »

A Shiver in the Leaves

Robert Ernst Marx and Luther Hughes BOA Editions, a not-for-profit publisher of poetry and other literary works, recently released a debut collection of poetry from Seattle-based poet, Luther Hughes which

Read More »

Robin Whiteman

About a year ago a close friend referred to my “two daughters”, art and my actual kid, Anya. He nailed it. Two of my biggest loves who take up the majority of

Read More »

Arden McBride

I grew up on folk tales, campfire stories, and fantasy novels. For the longest time I was fascinated with surrealism and their ability to impose the bizarre on the mundane.

Read More »

Joshua Hudak

I started my artistic journey focusing primarily on glass. Glass is an amazing medium – it interacts with light and color in so many unexpected ways, and forming it into

Read More »

Codi Lee Fant

I consider myself a multidisciplinary artist, with a particular affinity for graphite on paper. I was born and raised in Dallas, Texas, and studied at the Rhode Island School of

Read More »

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Closed between exhibitions

We are currently closed as we install a new exhibition Last Impressions, rare and rarely seen etchings by Robert Ernst Marx. Join us for the reception on Saturday, September 23 from 3 to 6 p.m.

You can also view our current online exhibition of paintings made during the third annual Plein Air in Clifton Springs event through 5 p.m. on Friday, September 22.

Closed 7/28 through 8/3:

We will be closed to the public Friday, July 28 through Thursday, August 4 as we install our next exhibition, Inspired By Nature. Please join us for the opening reception on Friday, August 4 from 5 to 8pm!