"My paintings operate in the liminal space between abstraction and realism. They are rooted in their abstract formal elements, but are contingent on the structure inherent to photography (and physical objects/subjects of the reference photographs).
I’m really interested in how perception influences each of our individual experiences. The paintings have addressed this in their formal properties, such as hyper-gloss, or slightly differing colors. These formal decisions require the viewer to physically walk around the painting, as it is never fixated in a single moment."
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